Goulding returned in 2017 on “First Time,” a collaboration with electronic producer Kygo. The pop-leaning album included the single “On My Mind” and peaked at number three on the U.S. That same year, Goulding released her third studio album, Delirium, which featured collaborations with Max Martin, Greg Kurstin, and others. Another soundtrack single, “Love Me Like You Do,” added to the success of Fifty Shades of Grey in 2015. Top Ten once more with “Beating Heart,” a song released on the soundtrack for Divergent.
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hit “Outside,” participated in Band Aid 30’s update of “Do They Know It’s Christmas?,” and entered the U.K. The following year, she was featured on Calvin Harris’ Top Ten U.K. number one “Burn” and Top Three single “How Long Will I Love You,” were among her biggest hits. In 2013, a deluxe reissue featuring ten extra songs was released entitled Halcyon Days, it acted as a supplement to the original release. In 2012, Goulding returned with her sophomore album, Halcyon, which showcased an even more sonically adventurous, electro pop-infused sound. Later that year, the album was re-released as Bright Lights, featuring seven new recordings, including a cover of Elton John’s “Your Song,” which peaked at number two. charts during its first week and spun off “Starry Eyed” as a Top Five single (it also charted well in Ireland and New Zealand). Building on that momentum, she blended acoustic and synthesized instruments on Lights, released in March 2010. In the meantime, she penned songs for Diana Vickers, Gabriella Climi, and others.ĭuring the final weeks of 2009, Goulding topped the BBC’s Sound of 2010, a poll conducted by British music critics and industry insiders to identify new talent.
She ultimately signed a major-label deal with Polydor Records and began preparing her debut album. Goulding soon graduated from the blogosphere to print media, gaining praise from mainstream publications like The Guardian and fielding offers from record labels. In 2009, Goulding began building an audience via the Internet, where early tracks like “Starry Eyed” and a cover of Sam Sparro’s “Black & Gold” were posted on taste-making MP3 blogs. After two years, she took a break from her studies and moved to West London, where she pursued a career as an alternative singer/songwriter and befriended producers like Starsmith and Frankmusik, who gave her songs an electro-pop twist. She had developed a love for folk music as a teenager, and her time at university also exposed her to electronica. It hit the Top Ten hit in over a dozen countries, including the U.S., and led to collaborations with dance artists including Kygo and Diplo.īorn in Hereford, England, Goulding later moved to the country’s east coast to study drama at the University of Kent. Her folk-inflected electronic pop sound increasingly drew from electronic influences, touching upon dance music and ambient synth pop by her third studio album, 2015’s Delirium. charts with her 2012 debut album, Lights. With her unique soprano warble and knack for writing catchy yet emotionally earnest songs, Goulding quickly rose to the top of the U.K. This year, country music's messy civil wars over stylistic authenticity and gender inequity on the airwaves continued to inspire debate over who should be singing what in Nashville.Much like her predecessors Kate Bush and Imogen Heap, British vocalist Ellie Goulding stands at the forefront of independent-minded mainstream pop. Metal taxonomists have wasted so much energy building their dumb little jail for this band to live in, but if you elevate your listening above the genre's border disputes, you'll hear bandleader Hunter Hunt-Hendrix creating his own lavish sound-world out of guitar-generated turbulence, computer-generated brass and the muscle-generated rhythms of Greg Fox, one of the greatest drummers doing it. Is there anything more familiar and abstract than the madness of a human heartbreak? 8. Bjork has always been masterful at making pop abstractions feel familiar. Visionaries rarely throw us anything as straightforward as a breakup album, but it would be wrongheaded to dismiss Vulnicura as some kind of concession or self-indulgence.